Selling Percussion Instruments

Managing this account @bizhearthotz on Carousell

After we have decided that YDGEN is officially disbanded, we couldn’t find a place where we could store these percussion instruments. So we made up our mind to sell them to help sustain ExtraOrdinary Horizons financially in a longer run.

I could say based on my subjective opinions; Singapore is different from other countries. It is not easy for Deaf to run a business. Not easy to manage or lead the band, especially when arts and music scene is small. Hmmm, it is strange to see that more emerging or accomplished (mainstreamed) artistes work closely with artistes with disabilities. This aligns well with the vision of inclusion in the arts. However, are the artistes with disabilities empowered enough to develop their practice on their own?

Looking back to the point when I joined the Singapore Idol Season 1 (2004), I still remember why I joined there. I had three intentions namely; to fulfil my childhood dream (to be the singer), to show the public about Deaf capabilities (meanwhile, dispelling misconceptions about Deaf people in Singapore), and to see where I was actually embarking on my music journey. From there, I continued with grit to obtain ABRSM Grades 6 & 8 in Percussion with Merit (within 10 months). With my earnings from four part-time jobs. Now, I am the member of the Purple Symphony. I really thank MP Denise Phua with my sincere heart for giving me this opportunity to experience playing with different musicians with or without disabilities.

Now, I worked with different people – Peter, Zihao, many… I have learnt many things from them. Good for my exploration though… This time, I do not think I can become one of the international Deaf performing artistes, like Ramesh Meyyappan. I do not mean to make such comparisons… Many years ago (before Singapore Idol Season 1), I tried applying for financial aid for the undergraduate program in music studies that I managed to get a place in UK, but to no avail. I had to give it up.

After watching the CNA’s special series entitled, “This is What I Hear”, I realised that every deaf individual has different backgrounds and privileges. Same but different… I know I have failed to understand the quality of sound when playing mallet percussion. But I continue to develop my own niche – #deaftalent arts. Since I am set on becoming one of Deaf social media influencers in Singapore, I continue sharing my works-in-progress (music, percussion, poetry & storytelling) that might include the Singapore culture.

Back to the topic, I hope you can support me, as well as ExtraOrdinary Horizons, please check my website out at http://www.eohorizons.com.

DISCLAIMER: The author of the above article is the director and founder of ExtraOrdinary Horizons. All opinions expressed herein are thus the personal views of contributing individual authors. They are not indicative of any endorsement, political or otherwise, or lack thereof, either on the part of the organisation.

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